Quoan | Fine Dining
Brimming with cheeky humor and fearless creativity, Quoan tips its hat to the historic lineage of the modern chord-less jazz quartet with an album that feels classic yet new, biting yet sweet, and overflows with virtuosity.
DR. MiNT | Beyond The Void
The companion album for their January 2017 vinyl release, "Voices In The Void," DR. MiNT's "Beyond The Void" takes you, well, beyond! With expansive vision, improvisational daring, and stylish aesthetic, this music delves into the realm of the subconscious. Each song is the result of spontaneous collective inspiration. DR. MiNT's signature sound is produced through a combination of pure improvisation, and real-time notation of melodic content. With a rhythm section rooted in drum 'n' bass and heavy rock, and horn soloists pushing the edges of experimental jazz, the band creates their own universe, held together by the dark matter of intuitive mental connection.
Scot Ray & Vicki Ray | Yar
Sibling-driven duoscapes pushing prepared piano and slide guitar into the spiral turbulence of a free jazz new music front - looped, glitched, and morphed tales of surreal subterranean travel.
"...confidently sensitive, texturally nuanced, sonically fascinating, darkly introspective, and starkly ritualistic." —Alex Cline
DR. MiNT | Voices In The Void
With Voices In The Void, DR.MiNT presents their futuristic approach to powerful rhythms, warped electronics, roaring horns, and infectious spontaneity with a sci-fi cinematic aesthetic that’s as innovative as it is fun.
Sound Etiquette | Sound Etiquette
Sound Etiquette, the first calling from a brilliantly inventive trio based out of Oakland, CA, imagines a universe where the small-minded distinctions of musical genres become obsolete. This kaleidoscopic collection of music will take you on a journey where the line between improvisation and composition is erased, giving way to a virgin space where new unions of sound are possible.
Alexander Noice | Music Made With Voices
The human voice is perhaps our most organically individual trait and the root of our personal expression. On his latest studio album, Music Made With Voices, acclaimed guitarist and composer Alexander Noice uses a single note sung by eight different people as the sole source material to create eight elaborate, fragmented, and beautiful sonic portraits that reflect our modern relationships seen through a digitized prism.
Nathan Hubbard/Skeleton Key Orchestra | Furiously Dreaming
San Diego percussionist and composer, Nathan Hubbard, culls together his Skeleton Key Orchestra, for their sophomore effort, Furiously Dreaming. Gathering together a staggering 49 of Southern California’s most ambitious creative musicians, this epic 2-disc achievement is a swirling, seductive, mind-bending sonic array mixing avant-garde jazz and electronica, poetry, and quite literally, the music of dreams.
Burning Ghosts | Burning Ghosts
Burning Ghosts explodes from the Los Angeles Underground with an expressionist metal-jazz opus that singes the fabric of a fraying American culture. An ambitious and scathing referendum, this eponymous debut comes at a moment when our civic morality and sense of social justice, our communal values and even our very national identity, find themselves under brutal scrutiny. Holding the mirror close and clear, Burning Ghosts is an uncompromising, incendiary artistic response to ubiquitous injustice. This is music without restraint.
Daniel Rosenboom | Book of Storms
Rooted in mysticism, magick, and mythology, trumpeter, composer, and producer Daniel Rosenboom's ongoing "book" series explores the more spiritually nebulous aspects of human nature. Using graphic scores and guided improvisation, these projects draw together some of the creative music world's most distinctive instrumental voices to intone esoteric incantations inspired by and dedicated to visions from "the other side." Psychedelic, raw, and highly imaginative, this music is for seekers and dreamers, and those who seek to go beyond.
Jake Vossler & Aaron McLendon | Versus
Screaming harpies, preying mantises, and a needle drilling through the Earth's core? Sounds like metal to me! But what makes Jake Vossler and Aaron McLendon's guitar-drums duo opus Versus an incredible standout in the genre and beyond isn't its speed, brutality, or heaviness. It's the uncanny ESP on display, the immediacy of communication in improvisation, shared sense of imagination, and virtuosity not as instrumentalists, but as mind-readers.
Christine Tavolacci | Ryoanji
A haunting and meditative exploration of subtlety and sonic space, Christine Tavolacci's hypnotic flute, and Bonnie Whiting's quietly insistent percussion give life to this transportive performance of John Cage's landmark piece inspired by the legendary Japanese rock garden. This special release will be a limited edition hand-made package by Eron Rauch.
Evil Genius | Bitter Human
Here at Orenda Records, we receive a lot of music to review for release consideration. But it's not every day that a tuba, guitar, drums trio crosses our desk - and it's even rarer to hear such a formation explode with the kind of commanding vigor and infectious levity that the LA/Brooklyn bicoastal band Evil Genius embodies. Steeped in genre bending, wry wit, and dazzling virtuosity, this trio’s impressive debut, Bitter Human, is like nothing you've ever heard, and might make you smile way more than you think.
Daniel Corral | Diamond Pulses
On the surface of the single, 32-minute track, everything seems perfectly transparent, maybe even grid-like. Insistent, hopped-up Plinko polyrhythms braid together in a dense patchwork of minimalist activity, while oceanic noise waxes and wanes. Or it’s pop electronica, but more desperate, more worldly, shamelessly reverbed. Minimalist motivic transitions speed the texture through harmonic and registral shifts, while rhythm remains constant. Corral knows exactly what he wants us to hear, at what pace, and moody swells of noise give us enough respite to fool us into thinking we’ve made our own choices. Robert Ashley said that music either comes from speech, or it comes from dance. Diamond Pulses is unconditionally from the dance. There are no words here at all.
Daniel Rosenboom | Astral Transference & Seven Dreams
"L.A. trumpeter Daniel Rosenboom seems to gravitate towards music that challenges on multiple levels...wildly ambitious... It's a fascinating blend and blur of the notated versus the improvised, and the constant shifting keeps the listener's interest at a peak level... Imagine a synthesis of Wayne Shorter's "Moto Grosso Feio," and Cecil Taylor's "Conquistador," and one knows what to expect. Recommended."
—Robert Bush, All About Jazz
Kubilay Üner | Inn Paradiso
"What you see, hear, make out, even if it's a real sound like a wolf or an escalator, is just there to sound the way it does. There's no story, no meaning, just a ballet of sound gestures coming together to create a dance. You make your own story - or just enjoy the movement and colors."
— Kubilay Üner, January 2015
Walsh Set Trio | Three
"Experimental at heart and jazz in behavior. Modern jazz, a bit post-bop and a bit avant-garde, floats right along nicely until interrupted by theatrical vocalizations and dissonant clashes of instruments. An album with a sense of humor, where the jokes are just as likely to inspire contemplation as they are smiles."
—Dave Sumner, Bird Is The Worm
DR. MiNT | Kingsize Sessions
DR. MiNT is a veritable lightning rod for intuitive music. Their compositions are "100% spontaneously created," and their brand new album, Kingsize Sessions, captures everything the band has become known to channel. Often associated with heavier rock, metal, or electronic musical styles, it’s easy to forget that the music that is being played, is always being played for the first time.
DR. MiNT | Ritual
“With unswerving focus and expansive vision…Dr. Mint present a thoroughly modern view of jazz.”
—Troy Collins, All About Jazz
“Dr. Mint is true improvisational jazz/rock fusion, with trumpet and sax explosions as if Al Hirt and Charlie Parker rose from the grave and went insane.”
—A. Canales, Critical Review Service
The Daniel Rosenboom Septet | Unsayable Absence
An exploration of cross-genre pollination over the backdrop of jazz; an experiment in stretching to the edge of the universe with one foot on the ground; a testament to the soul.