Scot Ray & Vicki Ray | Yar
Sibling-driven duoscapes pushing prepared piano and slide guitar into the spiral turbulence of a free jazz new music front - looped, glitched, and morphed tales of surreal subterranean travel.
"...confidently sensitive, texturally nuanced, sonically fascinating, darkly introspective, and starkly ritualistic." —Alex Cline
DR. MiNT | Voices In The Void
With Voices In The Void, DR.MiNT presents their futuristic approach to powerful rhythms, warped electronics, roaring horns, and infectious spontaneity with a sci-fi cinematic aesthetic that’s as innovative as it is fun.
Jonathan Rowden Group | Skyward Eye
The music of Skyward Eye is presented in two chapters, both full of compositional breadth, improvised soundscapes and purposeful solos. Rowden and Pryor split the composing load 50/50 on Skyward Eye. They both share many of the same roots and aesthetics - the interplay between their composing styles allowed them to tell a similar story from two perspectives. Drummer and percussionist, James Yoshizawa’s diverse and massive arsenal of instruments (including Japanese taiko drums, homemade metallics, and celtic percussion) are responsible for the majority of the soundscape creation. Bassist Jordan Richard’s bass-choir overdubs create the heart-wrenching soul of the album on the track “Flight.” Songs flow in and out of one another, crafted with care and purpose. Voices and metal chairs became drum hits, saxophone mouthpieces became war-cries, and the breath of a choir became the sound of ghosts of battle, and the laughter of children in the distance. For the group, Skyward Eye became a film without actors, a book without words.
Alexander Noice | Music Made With Voices
The human voice is perhaps our most organically individual trait and the root of our personal expression. On his latest studio album, Music Made With Voices, acclaimed guitarist and composer Alexander Noice uses a single note sung by eight different people as the sole source material to create eight elaborate, fragmented, and beautiful sonic portraits that reflect our modern relationships seen through a digitized prism.
Daniel Corral | Diamond Pulses
On the surface of the single, 32-minute track, everything seems perfectly transparent, maybe even grid-like. Insistent, hopped-up Plinko polyrhythms braid together in a dense patchwork of minimalist activity, while oceanic noise waxes and wanes. Or it’s pop electronica, but more desperate, more worldly, shamelessly reverbed. Minimalist motivic transitions speed the texture through harmonic and registral shifts, while rhythm remains constant. Corral knows exactly what he wants us to hear, at what pace, and moody swells of noise give us enough respite to fool us into thinking we’ve made our own choices. Robert Ashley said that music either comes from speech, or it comes from dance. Diamond Pulses is unconditionally from the dance. There are no words here at all.
Kubilay Üner | Inn Paradiso
"What you see, hear, make out, even if it's a real sound like a wolf or an escalator, is just there to sound the way it does. There's no story, no meaning, just a ballet of sound gestures coming together to create a dance. You make your own story - or just enjoy the movement and colors."
— Kubilay Üner, January 2015
DR. MiNT | Kingsize Sessions
DR. MiNT is a veritable lightning rod for intuitive music. Their compositions are "100% spontaneously created," and their brand new album, Kingsize Sessions, captures everything the band has become known to channel. Often associated with heavier rock, metal, or electronic musical styles, it’s easy to forget that the music that is being played, is always being played for the first time.