KillDry is the dark ambient electric guitar duo of Nicholas Deyoe and Jay Sorce. In the Spring of 2021, utilizing low-latency networking software Nicholas in Los Angeles and Jay in New York began to play together in real time. After recording their first few sessions, they realized they’d stumbled on to something that felt very special to both and has become a creative focus in the time since.
The name KillDry is taken from the term as it is used in effects pedal jargon, when the dry signal (the unprocessed guitar sound) is removed completely leaving only the ‘wet’ sounds - the cavernous ambience of a reverb or the warbled disembodied sound of a modulated delay. In KillDry, the pedalboard becomes a fully realized musical instrument, expressively manipulated in real-time. By carefully routing the guitar signal, often in several parallel effects chains, the sound captured, refracted, manipulated, deconstructed; the effect is like a moving sculpture, with the guitar sound as the tactile raw material.
Pool of the Black Star is a four-track double LP of slowly-developing dark ambient guitar-driven landscapes. Using guitar pedals, bows, preparations, and non-traditional guitar construction and techniques, KillDry creates an otherworldly sonic space that often bares little resemblance to “guitar music.” Pool of the Black Star combines droning landscapes with ethereal textures and unexpected melodies by layering, looping, and manipulating what is available on their pedalboards and by reconsidering the personal approach to their instruments.
Pool of the Black Star was recorded by KillDry in Los Angeles and New York in May and June, 2021. Mixed by Nicholas Deyoe and Mastered by Daniel Eaton at Little Castle Mastering
Ethereal Experimental Artist Rose Haze Release Instrumental Album "Contemplations in the Desert"
Contemplations in the Desert is an instrumental album born amidst the sweltering sun, dust, and nothingness of Southern California. Kate Ramsey and Ruben Gonzales of Rose Haze set out for nowhere to record a fully improvised collection of tunes using all analog gear.
Unsurprisingly, the desert was a pretty brutal environment for doing much of anything, much less recording an album, but that’s precisely what intrigued the duo. The idea sprung from their desire to satiate a pandemic ennui and escape for a bit. While battling heat and fatigue, and running from rattlesnakes and swarms of bees, they found sanctuary. Freely writing and recording music out in the wild frontier was an unforgettable experience punctuated by an absolute tranquility.
The duo brought two guitars, one harp, several effects pedals, a vintage synth, a video camera, and a two-track recorder. With no preconceived notions, they tracked the experience as it felt, looked, smelled, tasted, and sounded, off and on throughout the two slow-moving days. Weeks went by with each dense hour. Their studio was a small teepee on a ranch. A few guests milled about the area enjoying the music but keeping their distance. The duo ran a long extension cord from the main house to power their musical mission. The sessions began with serious meditation, but as they continued recording, Kate and Ruben began to shift into more humorous and light-spirited sounds as they grew in delightful delirium.
Between tracking music, Ruben filmed Kate wandering the grounds swinging a katana dressed in a suede fringe jacket, cowboy boots, and a stetson, playing harp in a random boat on top of a plateau, or dancing around on stilts with the mountains in the distance. Why? Because they could.
The days were filled with music, art, and contemplations. Contemplations of dreams, childhood, romances, hardships, moments in time. Contemplations of self. Contemplations on how our ancestors may have lived. Contemplations on how Hollywood shaped history. Contemplations of existence. Contemplations of gratitude in music. And at night, contemplations while gazing up at the brightest of stars in the desert.
Rose Haze is the ethereal experimental music project of Kate Ramsey. Ever-evolving over the years, the group has encompassed a vast array of sonic soundscapes and undergone several supporting lineups. Elements of ambient drone, dreampop, shoegaze, psychedelic rock, post-rock, and soulful jazzy expressions all make an appearance in Rose Haze compositions and performance. Based in Oakland, CA, Kate is supported by Ruben Gonzales (guitar and bass), Yoko Miyakawa (viola, electric violin, and bass), and Dustin Coker (drums).
World-Renowned Percussionist Randy Gloss Releases his Second Solo album, "...The Ayes Have It, Vol. II: Self-Portraits in Percussion" on Orenda Records
For decades, percussionist Randy Gloss has been recognized as one of the world’s leading hand percussion virtuosi, with an astounding breadth of knowledge and cultural understanding. An expert in musical traditions from across the globe, he brings a deep and expansive approach to rhythm and percussive sounds as he once again dives into personal exploration. As Gloss’s new solo album’s title suggests, “…The Ayes Have It” Vol. II: Self-Portraits in Percussion is, on one hand, a seamless continuation and companion to Vol. I (released on Orenda Records in 2015), while on the other, a stand-alone narrative, showcasing new directions, different facets, instruments, and ideas not explored on the first.
Read MoreThe Esthesis Quartet Pronounces Itself on a Sensory, Whimsical and Expansive Self-Titled Debut Release
Dismantling conventional instrumentation roles, the band unleashes each members’ bend toward the extemporaneous on this debut statement. Uniting four corners of the United States at the cusp of a lockdown period, Esthesis Quartet features Denver-based pianist Dawn Clement, Swedish-born and New York-based flutist Elsa Nilsson, Chicago-based bassist Emma Dayhuff and LA-based drummer Tina Raymond. The assembly is characterized by an innate fascination with risk, uniting four players who continually re-evaluate their roles as soloists, performers and explorers. With original compositions molded by tactile sensitivity and exploratory improvising, Esthesis Quartet captures the meticulous spirit of collaboration integral to the group’s foundations. The reckless abandon with which the quartet approaches the discovery of new musical landscapes lends an intriguing journey, particularly when flutes and vocals come to the fore.
Read MoreHeavy Avant-Metal-Jazz Improvisers Dan Rosenboom, Jake Vossler & Tina Raymond Return for "Trio Subliminal 2: Cinema Infernale"
Heavy avant-garde improvisers Dan Rosenboom, Jake Vossler, and Tina Raymond evoke the spirit Butoh and the scale of Kaiju with enormous sound and fiery invention on their second album as Trio Subliminal. Recorded in 3 live, uncut takes at Rosenboom's BoomHill Studio, this album will shake your walls with unusual and exciting music!
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