THE DANIEL ROSENBOOM QUINTET
Digital: $9.99 | CDs (Sold Out)
"Complex and exciting, Fire Keeper burns, lurches, and leaps with intelligent virtuosity and a breathtaking sense of ensemble cohesion. This might be where jazz is heading—so strap in and enjoy the ride."
— Robert Bush, All About Jazz
*****5 STARS***** and "Best of 2014" from All About Jazz
****4.5 STARS**** from Sydney Morning Herald
****4 STARS**** from DownBeat Magazine
Daniel Rosenboom - trumpet and piccolo trumpet
Gavin Templeton - saxophones, flute, and bass clarinet
Alexander Noice - electric guitar and electronics
Kai Kurosawa - bear trax, ziggy, and electronics
Dan Schnelle - drums
The Daniel Rosenboom Quintet is an electrifying ensemble that brings together some of the Los Angeles creative music scene's most distinctive instrumental voices. Their debut album, Fire Keeper, introduces a new brand of American music, unbound by genre or stylistic idiom. The quintet seamlessly blends elements of jazz, progressive and experimental rock, electronic music, blues, grunge, and contemporary classical music into an unprecedented sound that is fiery, grooving, intelligent and exciting. The band rocks hard, but flies with the freedom of inspired jazz. The sound is fresh yet grounded, and for all its brazen metal edge, this is joyous music.
"There are few jazz records that seem suitable for a pyrotechnics show, but trumpeter-composer-producer Daniel Rosenboom has accomplished such a feat with the debut of his new album...a wholly modern and frequently intimidating assault brimming with ferocity...The quintet has a grinding meticulousness...and the band is extremely tight in their execution of Rosenboom's ideas. This is not background music. It's a panoramic assault soaked in aggression and fuzz, flinging jagged machismo in every direction. The listener has two options: Put down what they're doing and soak it up, or run screaming for the hills."
— Sean J. O'Connell, DownBeat Magazine
"Veering between knotty jazz, prog rock and metal, is a trumpeter determined to go his own way...the imagination on display generates plenty of heat."
— Chris Barton, Los Angeles Time
"A more innovative approach has been to place jazzy improvising within a rock aesthetic. The quintet, led by Los Angeles' trumpeter Daniel Rosenboom, is at the pinnacle of this approach, as heard on the new Fire Keeper opus. Rosenboom's music filmically plays with moods, while reaching peaks of energy in which rhythmically complex compositions and arresting improvising sit atop the thundering drama of rock."
— John Shand, Sydney Morning Herald
"We’ve firmly established a few things about Daniel Rosenboom from his Best of 2013 release Book of Omens: he’s a fearless composer, bandleader, and trumpet player who lunges headfirst into the frontiers of modern progressive jazz, making it his mission to craft something that’s both fresh and immediate. What we establish from his follow-up LP Fire Keeper is that his pursuit of what’s beyond that frontier doesn’t ever let up."
— S. Victor Aaron, Something Else Reviews
"Fire Keeper, marches forward with a certain kind of relentlessness. It's definitely the kind of rambunctious, inventive kind of music that would describe a Steve Coleman composition or the latest David Binney album...[an] exciting direction jazz has been taking lately in the intermingling of rock sounds into the jazz canon, especially when touches of free jazz rear their heads. It's rather challenging material, for the musicians involved and for the listener, but it's worth a listen."
— Anthony Dean-Harris, Nextbop
"The kinetic energy in the performances on this thing is m-a-s-s-i-v-e...the performances are just stellar throughout."
— The Needle Drop
"These guys aren’t afraid hit it hard, paying homage to rock and jazz often in the same track. The result is a complex, yet ultimately catchy, set of tunes. But be careful – you might break a few bones trying to move your body to Fire Keeper."
— Mike Borella, Avant Music News
"Fire Keeper, the debut album from the Daniel Rosenboom Quintet, exemplifies the vast possibilities for contemporary jazz artists."
— Mike Oppenheim, All About Jazz