Experiments on Human Subjects
CD: $14.99 | Digital: $9.99
"[Evil Genius] prove themselves a force to be reckoned with and have already staked claims as one of the most noteworthy new groups in weird-rock and non-jazz improvisation."
–Connor Lockie, SLUG MAGAZINE
Max Kutner - Guitar, Bass
Stefan Kac - Tuba
Mike Lockwood - Drums
Critically acclaimed experimental jazz-rock trio Evil Genius returns with their second full-length release, Experiments on Human Subjects on Orenda Records. This new collection utilizes an even broader palette of sonic madness, with more extensive through-composed material and traverses vast stylistic terrain with gleeful perversity and scorched-earth impunity. What remains from their 2015 debut Bitter Human is the group's remarkably nuanced interplay and freedom to glide effortlessly as individual voices united by a common mission.
Experiments On Human Subjects was primarily conceived during the band's first national tour. Song titles and the associated compositions were derived from personal experiences both on and off the road. The mood and tone shifts frequently from devastatingly hilarious to extremely subdued and occasionally teeters on the edge of oblivion. The Napalm Death-influenced opener, “Skateboarders Versus Security Guards: Double Agents In A Proxy War Between the Forces of Good and Evil,” as well as the static swing of “An Iron Post In A Velvet Footing,” were both inspired by tubist Stefan Kac's experience working as a security officer in the San Fernando Valley. The looping, mutated disco of “Tour de Stadt” was inspired by a competition between guitarist Max Kutner and several friends that involved running up and down the massive stairways at a college sports arena. “Arctic Circle” was written for a persnickety, outspoken friend of the group who moved to Scandinavia to pursue a doctorate. Stefan's virtuosic showpiece, “Colonel Karl Marx and Keenan McCardell,” was titled after listening to drummer Mike Lockwood butchering the names of various freeway exits in a high-pitched, faux-Scottish accent.
Some of the pieces also directly honor (or lampoon) certain noteworthy figures in popular culture. “Alas, Nolasco” paints a tableau of baseball pitcher Ricky Nolasco's Minnesota Twins career in a musical style inspired by drummer Jim Black. “The Great Pilling of Pat Metheny's Sweaters” pays homage to the renowned jazz guitarist and his fashion choices, while “Art Lande's Sound of Love” attempts to recreate the aesthetic and atmosphere of the notable pianist's early-80s ECM recordings. As if in counterbalance to these smirking invocations of celebrity, Kutner's Hendrix-esque ballad, “Whole Wheat Heroes,” celebrates the mundane, shameless victories of hopelessly average people. There is, however, nothing average or mundane about this trio, no matter if their starting point is formal or conceptual.
Recorded and Engineered at Seahorse Sound Studios (LA), December 17, 2016 by Samur Khousa
Mixed at Toltec Sound (LA) by Louis Lopez from September 2017 - March 2018
Mastered by Daniel Walter Eaton (LA) in April 2018
Art Design/Layouts by Molly Allis
Produced by Max Kutner, Stefan Kac
Executive Produced by Geena Duran, Lee James Hampton
Tracks 1, 3, 5, 7, 8, 10, 11 written by Stefan Kac
© Stefan Andrew Lod Kac / Harry Mesomorph Music Publishing (ASCAP)
Tracks 2, 6, 9 written by Max Kutner
© Maxwell Ryan Kutner / Maladept Music (ASCAP)
Track 4 written by Mike Lockwood
© Michael Timothy Lockwood / Bonepocket (ASCAP)
©(P) Orenda Records, 2018
ORENDA RECORDS 0052